
Book Uno is a new feature at Jawas Read, Too! More specifically, it’s a game. If you know the rules of Uno the card game in which players must match either colors or the face value of cards one at a time in an attempt to get rid of their entire hand, you know the basic rules for Book Uno. Just in case, let me give you a quick explanation.
The Rules
Player 1 reads a book and picks a item (type of character, setting, genre, relationship, etc…) from that book which will be the theme (or criteria) for Player 2 to use in choosing the next book in the game. Player 2 chooses a book that matches the theme chosen by Player 1 and reviews it. Players choose themes for each other, not specific books.
For example: I might read a book that has a male protagonist and decide I want the next player to review a book that also has a male protagonist. As long as the book is Speculative Fiction and features a male protagonist, it’s a fair play for that move.
It’s a chance for participants to knock out a book they might already own since the challenge is to meet general requirements rather than detailed ones.
Last month TJ from Dreams and Speculation kicked off the first Book Uno play with Karin Lowachee’s Warchild. It went so well, I couldn’t be happier! But of course, the game must go on. What theme did she pick for me?

Her theme for me was a book that was written by an author with a last name starting with the letter “L.” Easy enough, right? I thought so, too. Narrowing down my choices was more difficult than I realized. There are just too many good authors, but I had to choose one. Green has been in my possession for a few months now; Jay Lake is an author I’ve heard many positive things about and decided to go for it. I have mixed feelings about my choice, but you’ll have to read the rest of the review to find out why.
A young girl is sold into a slavery of high society where she’s forced to endure cruel punishments for picking the wrong piece of fruit or speaking when not spoken to. Always in defiance of her new home and resentful of the change, this girl is subject to the masochistic tendencies of her instructors. Their demands prove to be too much and she’s driven by the encouragement and training of her Dancing Mistress to be the arbitrator of her own life, but it won’t be easy. More than likely, it will be bloody.
That is what I thought I was going to get. I was wrong. Green is one of those books I had a tough time reading. And in all honesty, I didn’t finish it. Let me explain. At first, it was vaguely reminiscent of Memoirs of a Geisha. A young girl is sold off by her own family and expected to train rigorously to become an extraordinary courtesan. The courses are exhausting and draining, the expectations are high, the women are vicious. The similarities were intriguing, if coincidental, as far as I was concerned since they ended as soon as I noticed them. This isn’t saying I expected a storyline that shadowed Arthur Golden’s book, but finding where the two complimented each other was the silver lining in what was continually turning into a confusing story of divergent plot lines better suited to individual novels rather than one.
I found myself unsure whether I was bothered more by the extreme measures Green’s Mistresses would take to punish her or the backward society (to my modern Earth sensibilities) that not only allowed, but expected obedience as the “greatest everyday virtue any woman can possess” (p. 43). This led me to believe Green’s triumph would be breaking free of her bonds, finding independence, and perhaps closure about her father’s decision. Even if this was the main point of the book (and without finishing it, I can’t be sure, but am almost positive it is only a step in some direction, the means to an end rather than the end in itself), it did not feel strong enough to support the poetics of such a fate.
Instead, the conspiracy behind her training is anti-climatic and rushed. Only a few pages separate Green discovering the truth and what she does with it. She’s very quick to act in compliance with her strange mentors and abandon Copper Downs entirely. What follows is an entirely different book that increasingly explores her sexuality. I found myself rolling my eyes in contemplation of how pointless it all seemed. Lake essentially puts a group of young girls together in a room and decides sexual exploration amongst themselves is the natural progression of their relationships and the book rather than an explanation of the events that happened in Copper Downs. If the religious sect that she joins is foreshadowing for further events, it lacked the emphasis her sex life had. Green’s previous life seems, at this point, completely abandoned and worst of all: irrelevant. The two plots separate even more when Green’s growing preoccupation with carnal pleasure ventures into bondage, sadism, and masochism. It was at this point I put the novel down and decided I could not continue.
There is little left to convince me such a large section of the narrative does anything more than devolve a compelling, if drawn out story, about a young girl growing into her own to successive instances of her sexual adventures. If this novel had been advertised as such—the sexual exploits of a young teen—I wouldn’t feel so mislead. I also wouldn’t have picked this book up since the subject matter is unappealing. I remain confused and put off by the misrepresentation of this book as a Fantasy novel concerned with a wicked conspiracy and an unwilling victim who learns to fight for herself and the strange city she’s come to call home. Unfortunately, the first third of the book was not enough to encourage me to read past the second third (roughly 100 pages each).
I won’t go into too much detail on the two mythic origin stories Green comes across in her studies. Both seemed a confused amalgamation of rape, abstract incest, and the strange relationship between Desire (as a female) and Time (as a male). Lake could have drawn on existing origin myths to help create these—not having finished the book, I cannot say whether they foreshadow anything other than Green’s own unquenchable lust. I would like to think he might have been influenced by other origin stories (whatever they may be, I am unfamiliar with them) and will refrain from judging the stories themselves, but rather use them to explain components of a much larger trend that kept bothering me as I continued to read. Whatever else Green became involved in, it became incidental to the larger focus on sex.
I also did not like the implication that menstruation makes women impatient. To quote from the book:
”Though some of the patience so carefully beaten into me by Mistress Tirelle had left me with my monthly flows…” (p. 192)
In short, I could not finish this book and do not feel comfortable recommending this novel to anyone else unless they understand that the jacket copy describes only the first part of the book and leaves little warning about the inconsistent and bizarre evolution of the plot afterward. Green’s personal life is too at odds with any larger thematic plot concerns and overwhelms what could have been a more cohesive story.

Release Date: June 9, 2009
Reviewed Format: hardcover

If you want to see what theme I pick for the next player in the game and who they will be, stay tuned for the September edition of Book Uno!
Book Uno is a new, regular feature on JRT. It’s a collaborative effort between Erika and other book bloggers to promote all types of Speculative Fiction books. Until she works out the kinks, game play is by invitation only.
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I almost feel bad to sentencing you to this book.
It’s incredibly disappointing that I keep hearing the same complaints about Green. That probably means they’re true… I suppose I’ll give Lake a start with his Mainspring series first…!
I realize now I could have chosen Lowachee’s Gaslight Dogs, but I don’t regret my decision! On the contrary, having read what I could, I do feel comfortable with my decision to set it aside and perhaps give my copy to someone who may enjoy it more.
You know, I’m not willing to judge the rest of Lake’s writing based solely on how I felt about Green. I still want to read Mainspring and will eventually!
It helps that I already own it.
Well, I read lake’s short story in METAtropolis and I rather liked it, so I hope that some of his other works will be good reads, even if I’m not destined to like Green. And I have to admit: even if I never read Green, I’ll keep it around for the cover. How shallow is that?
I’m more than willing to believe Green is either an anomaly, an isolated incident, or that it may be the only Lake book I wind up not liking!
The cover is gorgeous, but misleading. I wish now I had mentioned this in the review. Green is actually darker skinned and the suit she’s wearing is not the one that’s described in the book. Some of that may just be artist interpretation, and the cover is still amazing, but not entirely accurate.
I’m not entirely surprised by the cover not quite being just right. I love Dan Dos Santos’ art, but as far as I can tell, it doesn’t always hit the mark. Maybe it’s because of the information that the publisher’s give him, but remember Mercy Thompson? I think she has one tattoo in the books, but the now-famous covers have her covered all over in tattooos!
That artist is the REASON Mercy even has one tattoo to begin with! Briggs decided to incorporate it into the story after she and the author talked. Now, of course, it’s gotten out of hand…
Oops, I should have read this comment before asking TJ to explain! That’s interesting and seems like a fun cooperation after the fact, but I guess a bit ridiculous when we look at those covers now, hahaha.
Well, obviously, Mercy is an urban fantasy heroine. The mess of tattoos shows how hardcore she is, duh!
Really, I love tattoos and I think the Mercy cover art is beautiful–but representative, it is not.
That’s hilarious. I just laughed out loud at my computer. Urban Fantasy covers can be so ridiculous sometimes. Clearly, this one is rife for humorous exploitation.
Actually, I think the utter absurdity of some of the women (how they always look like the same body type/hair/etc…) is what deters me from even picking up certain UF books in the first place. How often do you see a heroine with CURLY HAIR on the cover? I feel misrepresented in UF covers.
Ha! It’s true, I have serious issues with UF covers, particularly because they’re purely about the sexualization of the female, show only one type of body, and are otherwise ridiculously similar. Way to be diverse, UF!
I suppose they sell though, which is the point…
Did you see that story about the Mercy covers and that artist on Tor.com a couple of weeks back? That first Mercy cover, apparently, set the stage for the onslaught of heroine/tattoo combo we see all over the place. While I don’t think this article talks about him being the “first” to do this, I have read that elsewhere. The article instead talks about the process of finding the right model, etc. It’s very interesting: http://www.tor.com/blogs/2010/07/embodying-mercy-thompson-in-person-and-in-paint
I don’t think I’m familiar with that event! What happened there?
I think you’re right: it’s hard to tell how much is artistic license and how much is interpretation based on the information given. Covers can be so strange sometimes.
Yeah, this is a book I was initially interested in, but after hearing poor review after poor review, I can’t justify my slight curiosity. Also, not to scare you or TJ, I barely made it 30 pages into Mainspring, I was so bored with it. That may have been a me-thing: I hope the two of you get more out of that book than I did.
Jay Lake, for all the praise he receives, has just not been an author that seems to work with my personal tastes and biases. Maybe I’ll feel differently after reading some short fiction of his. After all, I have METAtropolis.
I’m holding off on starting Mainspring, which will be awhile from now so I don’t rush in with my feelings about Green getting in the way.
There are more reviews than I realized that had similar reactions to this book. I was surprised, but it always helps to know I’m not alone in my observations.
Wow! What a bummer! The premise does sound good, and somewhat misleading!
I appreciate your honest review though!
Thank you Lily! This one was just not for me. :\
Oh and when is the next Book Uno popping up?
It should be up in a couple of weeks.
Looking forward to it!
You know, this is the second DNF review I’ve seen of this book among the people whose reviews I trust. I think this puts it squarely in the books to skip pile. Although it kind of goes there on it’s own based on the premise..
I love the cover though.
I suppose that makes me feel less alone in my decision.
I’m sure Green has its redeeming qualities, but I didn’t feel comfortable reading further to find them. And yes, the cover is gorgeous—even if it isn’t a true representation of the protagonist (she is darker skinned and the costume she is wearing is supposed to have pants, I believe).
Granted, I ended up skimming through the copious sex scenes, but I actually thought the book had a really interesting discussion of religion and theology, which ended up being a major theme (probably more so than sex, really). I also appreciated that Lake made an effort to create detailed non-European-based cultures and dealt with some of the clash between them, and there was enough attention to language learning that made the linguistics geek in me bounce around a bit. The above criticisms are totally valid, and character-wise I thought the plot twisted in some very unlikely ways, but if you’re interested in social sciencey-type stuff you still might want to hit the library for a copy.
I did find the cover terribly misleading, though (even if that was the reason I picked up the book!). First off, poor Green has been horrifically white-washed; secondly, the blurb only covers about a third of the action, but makes it sound like the entire plot, which was rather disorienting.
It’s interesting that you point out the major themes overrule the sex scenes, but you also say those were copious and that you skimmed them. I did not skim and realized I was sensitive to those scenes. I felt they detracted from the rest of the book, rather than adding to it.
In no way was I saying the book didn’t have more to offer (nor am I saying sex in a book is a bad thing). Rather, I was not engaged enough to continue.
I personally just felt offended by the way women were portrayed in this book and was not comfortable finishing. I do own a copy, but do not think I will be visiting it again in the future. I have Lake’s other books and plan on read those at a later time.
I would never rule out an author’s works entirely because I found one I didn’t take well to.
The other aspects of the novel you mention (non-European based cultures, languages, etc…) were intriguing. I won’t argue there. Those are certainly things to recommend it to other readers since as you mention: the blurb is a bit misleading.
The cover bothered me, too! I believe I mentioned it to a couple other commenters here, but Green is being white-washed. Not to mention: her outfit is supposed to have pants, isn’t it?
Oh, I definitely don’t think the other themes overrule the sketchy sexual politics, and your criticisms of them are spot-on. I just wanted to point out some of the stuff I noticed in the sections you didn’t cover, even if I still wouldn’t wholeheartedly recommend the book to anyone. (Also, I’d like to apologize; that “you” in my comment was meant to be more general, in case anyone was wondering about the back half of the novel. Goodness knows we all have enough books to read to not waste our time on something we know we won’t/don’t like
)
That cover is a real shame: it’s a cool design marred by race! AND gender!fail. It’s depressing how often that still happens :\
Thank you for clarifying, Dave!
It’s actually very refreshing to hear from the perspective of someone who finished the book, not that those people are rare in this case, but it’s different reading a positive review and having a discussion.
Have you read any of Lake’s other books by any chance?